‘Is raat ki subah nahin, Hazaron khwahishen aisi, Khoya khoya chaand, Love, dosti, etc’ panned fluctuations of a meagre genre that suffice panoramic strokes. Sudhir Mishra doesn’t disappoint and delivers a slickly made non conventional drama of our pedestrian yet fabulous lives. ‘Dilli mein aag laga doonga’ defines the gist of characters that follow suitContinue reading “‘yeh saali zindagi’: the damn riveting consensus..”
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